Lecture 5 - The Idea of the Autonomous Artwork

author: Paul Fry, Department of English, Yale University
recorded by: Yale University
published: Aug. 10, 2010,   recorded: January 2009,   views: 6357
released under terms of: Creative Commons Attribution No Derivatives (CC-BY-ND)
Categories

See Also:

Download Video - generic video source Download yaleengl300s09_fry_lec05_01.mov (Video - generic video source 555.5 MB)

Download Video Download yaleengl300s09_fry_lec05_01.flv (Video 464.7 MB)

Download Video Download yaleengl300s09_fry_lec05_01_640x360_h264.mp4 (Video 138.9 MB)


Help icon Streaming Video Help

Related content

Report a problem or upload files

If you have found a problem with this lecture or would like to send us extra material, articles, exercises, etc., please use our ticket system to describe your request and upload the data.
Enter your e-mail into the 'Cc' field, and we will keep you updated with your request's status.
Lecture popularity: You need to login to cast your vote.
  Delicious Bibliography

Description

In this lecture, Professor Paul Fry explores the origins of formalist literary criticism. Considerable attention is paid to the rise and subsequent popularity of the New Critics and their preferred site of literary exploration, the "poem." The idea of autonomous art is explored in the writings of, among others, Kant, Coleridge, and Wilde. Using the work of Wimsatt and Beardsley, the lecture concludes with an examination of acceptable categories of evidence in New Criticism.

Reading assignment:

Wimsatt, William K. and Monroe Beardsley. "The Intentional Fallacy." In The Critical Tradition, pp. 811-18

Resources:

Handout: The Autonomy of Art [PDF]

Link this page

Would you like to put a link to this lecture on your homepage?
Go ahead! Copy the HTML snippet !

Write your own review or comment:

make sure you have javascript enabled or clear this field: